a5c7b9f00b While still out to destroy the evil Umbrella Corporation, Alice joins a group of survivors living in a prison surrounded by the infected who also want to relocate to the mysterious but supposedly unharmed safe haven known only as Arcadia.
In a world ravaged by a virus infection, turning its victims into the Undead, Alice (Jovovich), continues on her journey to find survivors and lead them to safety. Her deadly battle with the Umbrella Corporation reaches new heights, but Alice gets some unexpected help from an old friend. A new lead that promises a safe haven from the Undead takes them to Los Angeles, but when they arrive the city is overrun by thousands of Undead - and Alice and her comrades are about to step into a deadly trap.
Hey it's TVGuy3, and sadly this is the only movie I'll be reviewing this week, since my cousin said the Virginity Hit is a big steaming pile of trash. Anyway, I was a big fan of the Resident Evil franchise ever since it came out on PlayStation. The first movie was a great shocker, the second almost rivaling the first, and the third was showing signs of decline. Now with Afterlife, the fourth installment, I was just looking for a popcorn movie. And it is. But the first three all also functioned as real horror movies. This one is just slashing and shooting. Don't get me wrong, it's a really capable slashing and shooting and Milla Jovovich gives a great performance, but this movie honestly needed more plot. Or a new director. Paul W.S. Anderson is not a good director. Let's just get that out of the way. The thing the first three movies were lacking was good direction. Luckily, the script and the acting were good enough to scare us. But like I said before, the script and acting is just slashing and shooting, which makes the bad direction even more visible. If you're not a fan of the franchise, this is a good horror flick. But if you're a fan of the first three, don't waste your money and be disappointed. If you want slashing and shooting with a real plot, go see Machete. Not this.
I learned many useful things from this installment of the RE series that I had previously not been aware of.<br/><br/>Apparently, stories and character development are no longer important to film making. Just explain who somebody is with a single line of dialogue and move on to the action.<br/><br/>I also learned that, although she has no memory of herself and is left alone for months to survive the apocalypse, Claire Redfield insists on bathing and putting on makeup before entering any airplane for rescue.<br/><br/>It was nice to be reminded that zombies are never overused and the fact that they are included in a movie never needs to be addressed. Just being there is now implied and no acknowledgement or explanation of their behavior is required. Zombies gonna zomb, apparently.<br/><br/>I am so pleased that The Matrix invented bullet-time effects. Finally, action movies have distractions that can easily thwart an audience&#39;s questions of logic by using sheer confusion and stylish scenes that are accompanied by a rocking guitar track.<br/><br/>I am now aware that once a person is again turned human by a CGI cut scene of internal microscopic interaction, that they can now withstand a headlong, fiery collision into the face of a mountain.<br/><br/>Thankfully, I now know what a bastardized combination of Leatherface, Pinhead and Pyramid Head looks like.<br/><br/>I am once again reminded that Hollywood no longer has anyone interested in creating anything original or memorable. Remakes, reboots, sequels and prequels draw the zombie hordes to the theaters.<br/><br/>And finally, I learned the most important lesson of all. I learned that every problem can be solved with guns.
Afterlife is slow-moving but relentless, and judging from a post-credits teaser that promises yet another sequel, it has an unquenchable appetite for your brain cells.
Alice (<a href="/name/nm0000170/">Milla Jovovich</a>) and her clones succeed in wiping out the Umbrella Corporation headquarters in Tokyo, Japan, but not before Umbrella CEO Albert Wesker (<a href="/name/nm0731575/">Shawn Roberts</a>) injects Alice with a nerum that neutralizes the T-virus in her system, taking away her powers. Nevertheless, Alice continues her search for survivors and for Arcadia, the safe haven supposed to exist somewhere in Alaska. Along the way, she meets up again with Claire Redfield (<a href="/name/nm0005123/">Ali Larter</a>) and learns that the Alaskan Arcadia does not exist, so they fly to Los Angeles where they land on the rooftop controlled by a group of survivors led by Luther West (<a href="/name/nm0462673/">Boris Kodjoe</a>) and learn that Arcadia is actually a ship anchored nearby. Joined by Claire&#39;s brother Chris (<a href="/name/nm0589505/">Wentworth Miller</a>), the survivors head for the ship when the zombies descend upon them. Resident Evil: Afterlife is the fourth in a series of six movies, preceded by <a href="/title/tt0120804/">Resident Evil (2002)</a> (2002), <a href="/title/tt0318627/">Resident Evil: Apocalypse (2004)</a> (2004), and <a href="/title/tt0432021/">Resident Evil: Extinction (2007)</a> (2007) and followed by <a href="/title/tt1855325/">Resident Evil: Retribution (2012)</a> (2012) and <a href="/title/tt2592614/">Resident Evil: The Final Chapter (2016)</a> (2016), all written by English film director, Paul W.S. Anderson, who who based the stories on a survival horror video game series, created by Japanese video game designer Shinji Mikami and released in 1996 as Biohazard in Japan and Resident Evil in English-speaking countries. Many appear at the beginning of the film engaging in a full-out assault on Umbrella&#39;s main headquarters in Japan. All present in the assault, except the original Alice, are killed when Wesker destroys the facility. It is not known if this represents all of the clones or whether only some participated in this action. Those are manifestations of Las Plagas, a parasite that feeds off its living hosts and takes over their minds, as opposed to the T-virus, which breaks down the hosts&#39; DNA to the point where there&#39;s no life left in them. The primary difference between Las Plagas and the T-virus is that the hosts of Las Plagas are not dead and, thereby, are not true zombies. To further distinguish the two, unlike the T-virus, Las Plagas does not mutate the host. Instead, the parasite undergoes rapid mutations by itself while simply using the host&#39;s body as a base. Also, unlike a zombie, they move with the speed of a living person. It&#39;s basically an injection patch placed there by Umbrella to inject a drug causing memory loss and allowing for mind control. Credited in the movie as Axeman, he was introduced in the Resident Evil 5 game as The Executioner. Alice, Claire and Chris make it to the Arcadia where they find 2,000 survivors, including K-Mart (<a href="/name/nm1682400/">Spencer Locke</a>) (from Resident Evil: Extinction), have been detained in suspended animation by Albert Wesker, who has been eating them in hopes of redressing his DNA in order to control the T-virus, which has become so strong in his system that it&#39;s trying to take over his body. Because Alice&#39;s DNA is the only one that successfully bonded with the virus, Wesker plans to eat her, too. Not wanting to be on the menu, Alice fights for her life, helped by Claire, Chris, and K-Mart. Eventually, they are able to overpower Wesker and Bennett (<a href="/name/nm0167649/">Kim Coates</a>), who has become Wesker&#39;s right hand man. As they release the captives, however, Wesker takes off in a helicopter, having regenerated from the multiple rounds of bullets to his chest by eating Bennett. Before Wesker can activate a purge bomb on the Arcadia, his helicopter is blown up by a bomb placed there earlier by Alice, having anticipated his escape. However, as Luther crawls out of the sewer, a figure can be seen parachuting from the helicopter, implying that Wesker has once again survived. Alice determines to make good on Arcadia&#39;s promise and rebroadcasts its message for any other survivors. As the survivors stand on deck, they notice dozens of heavily-armed Umbrella helicopters coming at them. Just after the cast credits roll, it is revealed that former Raccoon City STARS (Special Tactics and Rescue Services) member Jill Valentine (<a href="/name/nm0347149/">Sienna Guillory</a>), wearing the same mind control device used on Claire, is the leader of the troops. In the Resident Evil films, only Jill is a member of the STARS that we know of. No other direct mention or concrete proof has been provided onscreen as to who any of the other members are/were. In the video games, Chris Redfield, Jill Valentine and Albert Wesker were all members of STARS. Wesker was revealed to have been in the employ of Umbrella during that time. Jill tackled Wesker out of a window and was presumed dead. Claire is only a civilian who came to Raccoon City to find her brother, stumbling upon the zombie outbreak during which she ran into the newest member of the Raccoon Police Department, rookie cop Leon S. Kennedy. &quot;Tokyo&quot; by tomandandy. This European co-production uses lots of CGI effects, e.g. when blood is shown. In Germany, Constantin films released the movie theatrically. In order to make the movie more attractive to younger audiences and in order to receive a lower rating, several of these CG blood effects were removed or retouched. In the Netherlands, Constantin released the movie on Blu-ray/DVD and unfortunately the censored and retouched master was used, whereas the UK Blu-ray/DVD, released by Sony, feature the completely uncensored version of the movie. There are also other indications that the same censored master was used for the DVD releases in Hong Kong and Thailand.
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